My body of work generally draws on a narrative of identity, which incorporates a feminist response to the implication of sewing, fabrics and materials. I employ printmaking combined with processes of sewing and construction, which are used as a means of critical engagement to question and deconstruct current identities in a contemporary social and cultural milieu. I also attempt to counteract the undervaluation of women and craft by combining the subversive strategy of embroidery as fine art.